Sword is her story, how she learns to deal with what happened to her without shutting out the people she loves, and with the responsibilities she has to shoulder now that the older generation is dead and the kingdom is overrun. It's about loyalty and love, fate and family and politics. It's also violent, occasionally sarcastic, and unabashedly sappy.
Q: What inspired you to write the story?
AB: I had a very sullen young woman with a battered old sword and no patience kicking my frontal lobe. As motivators go, it was a pretty good one.
--Ok, so that's a little dramatic, but really not too far from the truth (except the part about the frontal lobe, of course). Kyali Corwynall started out as a patchwork of some of my favorite characters from books like Robin McKinley's The Blue Sword and The Hero and the Crown, and Patricia McKillip's Cygnet, going all the way back to Barbara Helen Berger's Gwinna, which I read when I was seven. My brain is like cosmic flypaper: the stuff I like (or hate) sticks, accumulates, eventually acquires a gravitational field, and before I know it light's bending around it and I'm up at 3 am mainlining coffee and my keyboard's broken. Sword was like that. One day I had scattered pieces, and the next I had a character with layers, flaws, goals, scars, and a complicated history. Stories always start that way for me, no matter how cool my premise may be (or how cool I may think it is, anyway) --my characters inspire and drive it, start to finish.
Q: Since your novel is medieval-influenced, can you tell us a bit about your researching journey?
AB: Wow. How I'd love to give you a list of planned, organized steps I took. It would make me feel so much smarter!
But no. I stumbled into the research for Sword much like I did the story itself. I think my research began the moment I realized I had no idea how heavy a sword really was, or how hard it might be to wear armor and, you know, walk at the same time. I remember thinking writing fantasy would be easy (yes, feel free to laugh at me). It didn't take long before I realized it was very, very obvious when I didn't know what I was talking about. So I went from looking up Irish baby names online to running to the library after work to find the Focloir Scoile or The Book of the Sword. I eventually learned to restrain myself, because research can be a wonderful excuse for not writing when you're stuck-- but overall, it was great fun.
AB: Remember basic dramatic structure when you're reading your draft(s). It definitely doesn't always apply, and definitely shouldn't always apply, but I've found it can be a great lens: I can look at the whole story, each subplot and character arc, each chapter, and each scene with that structure in mind, and I'll always find something to tweak. Or mangle. Or outright kill.
...Revision is a slightly violent process for me.
a Rafflecopter giveaway
|Amy Bai, author of Sword|